Vince Pitelka
Appalachian Center for Craft
Tennessee Technological University


Slip-Decorating Techniques

Skill Level - Some previous experience in throwing/handbuilding required

Background 
Slip decorating techniques have existed almost as long as ceramics. Potters discovered very early that a coarse, grainy clay could be concealed with a slip coating, and that a light slip could provide a "ground" for darker slip decoration. While glazes may shift and move in the firing, a slip essentially becomes part of the claybody, and is more likely to stay put, regardless of what the overglaze does. Slips are the ideal medium for achieving sharp, linear definition of color, and multiple slips may be abraded or distressed to maximize the sense of age or use. To this day, slip decoration remains one of the most viable and versatile means of ceramic surface development.

Slip Trailing

 

Workshop Description - As is the case with artist’s paints, colored slips offer many additive and subtractive options allowing the development of complex layered surfaces which can be extremely evocative. We will investigate as many ways as possible of using slips to develop surfaces which meet the needs of the individual artist/potter. Basic throwing and/or handbuilding experience is required for this workshop. We will explore preparation and coloring of slips, monochrome and polychrome slip-painting, sgraffito, slip-layering, slip-trailing, feather-combing, marbling, and terra sigillata. Slide shows will present a broad diversity of historic and contemporary slip-decorated work.
Materials Provided by Host - Buff and/or brown stoneware clay (or terracotta for a low-fire slip workshop), white base slip and colored slips (colored with oxides and/or Mason stains), four 36" or 48" lengths of 5/16" wood dowel, one roll of 30 lb.-test fishing line, duct tape.

Facilities and Equipment Provided by Host - Two carousel slide projectors, appropriately dark room with two screens or a large white wall, work tables, 24" stool, pottery wheels with bat-pins, bats, tables, rolling pins, slab roller (if possible), electric kiln for bisque-firing, several banding wheels, 1"-thick construction foamboard for making slump molds, good pencil sharpener or bench grinder.   

Feather Combing

 

Supplies for Participants to Bring

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Standard clay tools - the packaged Kemper kit contains a wood rib, stainless-steel scraper-rib, wood knife, needle tool, cutoff wire, small sponge, and trimming tools

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One yard 10 oz. canvas duck or equivalent

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Rolling pin

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X-acto knife (pencil handle with 1" tapered blade)

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Kemper S-10 stainless steel serrated rib

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Selection of bamboo-handle round brushes and flat hakeme brushes

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Four hair-tint bottles with fine-pointed spouts (available from drugstore or hair-dresser)

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Four basket-ball inflating needles (from sporting goods store)

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Four ear syringe bulbs, (from pharmacy or medical supply - get one-piece bulbs with rubber tips - not plastic tips)

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Four standard paper clips

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Several towels or soft rags

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Apron (optional)

Suggested Schedule for Five-Day Workshop

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Monday Morning - Intro to workshop, studio safety, studio policies, distribute clay. Discussion/demonstration of forms to be slip-decorated. Work on throwing and handbuilding forms to slip decorate. Half-hour slide show on historical slip-decoration. 

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Monday Afternoon - Half-hour slide-show on historical slip-decoration. Discussion-demonstration of slip-painting and manipulation on fresh forms still on the wheel. Work on thrown and handbuilt forms. Experiment with wet-clay slip-painting and manipulation. 

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Tuesday Morning - Discussion of different kinds of slips, deflocculation, and coloring of slips. Discussion/demo on slip-trailing and feather-combing. Make forms for slip-trailing, feather-combing. Continue experimenting with wet-clay slip techniques. Half-hour slide-show on historical slip-decoration.

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Tuesday Afternoon - Half-hour slide show on historical slip-decoration. Demonstration of slip-marbling. Work on slip-trailing, feather-combing, and slip-marbling. Make forms for slip-layering and sgraffito.

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Wednesday Morning - Demonstration of slip-layering and sgraffito. Work on forms for slip-layering and sgraffito. Continue working on slip-trailing, feather-combing, and slip-marbling. Half-hour slide show on contemporary slip-decoration.

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Wednesday Afternoon - Half-hour slide show on contemporary slip-decoration. Work on slip-layering and sgraffito. Load bisque fire with all work to be glaze-fired. 

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Wednesday Afternoon or Evening - Slide lecture on Vince's work.

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Thursday Morning - unload bisque-fire, glaze wares, load glaze-fire. Continue working on slip-layering and sgraffito. Experiment with terra sigillata. 

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Thursday Afternoon - Finish all slip-layering, sgraffito, and terra sigillata work. Load final bisque-firing.

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Friday Morning - Unload bisque and glaze firings, admire work. 

If you are interested in hosting one of my workshops, please contact me for terms, pricing, and scheduling.

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Site maintained by: Vince Pitelka -  Last Updated: November 15, 2009